I have a mind and sometimes there are things on it. Given that I have a bad back, this space is where I hope to unload them.
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The next post will be a comparison of the original 1951 film The Day the Earth Stood Still by Robert Wise and the 2008 remake by Scott Derrickson. In the meantime here's a little something to tide you over. J
Tony Leung and Maggie Chung in In the Mood for Love (Wong Kar-Wai, 2001) Wong Kar-Wai I am often asked what my favourite film is, to which I generally reply - "Pffft!". I know! Why people ever ask me anything is quite beyond me too. But my reason for mentioning that particular flaw in my character is that while it seems utterly out with my ability to choose a particular favourite, or indeed to respond to the question in a civil, adult and mannered way, I do have a list. This list may grow and shrink over time, but in 2001 I added a film to it and it has been there ever since. In the Mood for Love was a defining moment for me and my connection to cinema. This movie more than most underlined the notion that what particularly moves me is film form; rather than just character, narrative or singular technical aspects, it is the collision of these things that resonates for me in film and makes them stay with me. Tony Leung in the sumptuous In the Mood for Love The fi...
Drive (2011) the new film by Nicolas Winding Refn is (perhaps expectedly) a dark, violent, brooding affair but (perhaps unexpectedly) one with a great deal of heart. At Cannes, the film garnered a Palme d'Or nomination and picked up the Best Director award for...well, the director and, in a ridiculously unfounded assertion having only seen one of the other films in competition, it was well deserved. The beginning (and most of the rest) of the film invites comparison with Walter Hill's 1978 film The Driver , with Gosling even resembling Ryan O'Neill at times - at the film's credit in low-key lighting and from a low angle I, just for a minute, thought it was Ryan O'Neil. Parttime stunt driver, parttime mechanic, parttime getaway driver and fulltime toothpick chewing 'brooder' Ryan Gosling plays the unnamed lead, with no past he just drifts into his closest friends life like a Sergio Leone hero, and dares to dream of a future as he becomes involved with a ...
Howdy. Offt! March is looking like a very strong month of films at the cinema and I'll tell you what, I'm going to try and see them, and then write about them and then…ehh…maybe watch a bit o' telly or something. What is catching my eye in particular is: Nymphomaniac (parts I and II) (Lars von Trier, 2013); Her (Spike Jonze, 2013); Only Lovers Left Alive (Jim Jarmusch, 2013), The Grand Budapest Hotel (Wes Anderson, 2014) and Under the Skin (Jonathan Glazer, 2013) Let's kick this of with Nymphomaniac (Lars von Trier, 2013). In typical style there was a buzz around - no! A furore - No! A brouhaha (doesn't fit as well as furore but I like the sound of it) around the film. The controversy, or expectation, or umbrage, or what ever swell of feeling, is often stimulated in no small part by von Trier himself (see the publicity shot) . This time Lars von Trier has remained muted about the film in a self...
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