Shock Corridor

What's all that about then? What's all that about!? What's it not about more like! It is life and love and death. A beautiful collage of everything that makes life beautiful, scary, exciting, frustrating, wonderful, angering, reassuring and unsettling; a visual poem that is at it's best when the narrative is sidelined for montage. The sequence surrounding the birth and infant years of the son is quite staggering. Terrence Malick has always liked trees and this film is no different, lots of lovely low angle shots up through the branches, splitting the light in kaleidoscopic shards. The fractured light might be seen as symbolic for the contradictions that shaped the man; a beautiful whole pulled in different directions, both mystifying and simple. A complex work of tremendous beauty that may be wonderfully profund and delicate, or maddeningly boring and pretentious. Go on, find out. J

Drive (2011) the new film by Nicolas Winding Refn is (perhaps expectedly) a dark, violent, brooding affair but (perhaps unexpectedly) one with a great deal of heart. At Cannes, the film garnered a Palme d'Or nomination and picked up the Best Director award for...well, the director and, in a ridiculously unfounded assertion having only seen one of the other films in competition, it was well deserved. The beginning (and most of the rest) of the film invites comparison with Walter Hill's 1978 film The Driver , with Gosling even resembling Ryan O'Neill at times - at the film's credit in low-key lighting and from a low angle I, just for a minute, thought it was Ryan O'Neil. Parttime stunt driver, parttime mechanic, parttime getaway driver and fulltime toothpick chewing 'brooder' Ryan Gosling plays the unnamed lead, with no past he just drifts into his closest friends life like a Sergio Leone hero, and dares to dream of a future as he becomes involved with a